INFLUENCES
Introspection, from many perspectives.
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Panel 1 of 5 (1788–1888)
A poet before and more than anything else, these are those without whose words Jono’s would have no force; no precedent from which to emerge, no foundation to form what spark he puts forth.
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Panel 2 of 5 (1892–1932)
Indebted, this extensive infographic attempts a canon of sorts—of Borden’s heroes, his kindred progenitors, his most pervasive and enduring influences—tracing his creative lineage as an artistic, linguistic, literary, cultural genealogy, of course.
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Panel 3 of 5 (1934–1960)
With an experienced ear for lyricism and an appreciation for verse in its various forms, what follows is a glimpse of that rhythm Jono’s pen allows to guide its flow as he goes about his own expressions; and has ever since beginning this craft which, above all others, moves him.
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Panel 4 of 5 (1964–1988)
50 poems (including 15 songs) written by 30 men and 20 women since 1788, of whom 28 are dead, 22 are still living, 18 identify openly as LGBT, and 9 are people of colour. (26 Americans, 6 Canadians, 5 English, 2 French, 2 Irish, 1 Australian, 1 German, 1 Kenyan, 1 Lebanese, 1 New Zealander, 1 Scottish, 1 Syrian, 1 Vietnamese, and 1 Welsh.)
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Panel 5 of 5 (1989–1996)
Arranged by order of their birth, poets were chosen whose work, as the quoted examples demonstrate, subverts norms and inspires all of Jono Borden’s own work.
