| TITLE |
© |
| № |
|
| 1:Φ |
2018 |
| 4-Track Demons |
2014 |
| 7×5 (Uncut) |
2015 |
| 7×5 (Uncut) |
2016 |
| 13 Piccadilly Terrace |
2022 |
| 13th Tribe |
2020 |
| 15 Minutes for 100 Days |
2013 |
| (917) 358-2122 |
2011 |
| A |
|
| A Badly Turned Angle |
2019 |
| A Barbarian Harvest Without Wine |
2019 |
| A Billi’ like a Big G.O.A.T. |
2013 |
| A Bitten Cherry Rubbed Across Throbbing Lips |
2022 |
| Ablanathanalba |
2018 |
| Ablation |
2020 |
| A Bonegathering of Commonplace Fates |
2022 |
| Above the Abyss (Of Knowledge Beyond Reason) |
2020 |
| Abramelin 445 (To Create Visions Through Writing) |
2018 |
| Absence of Presence |
2019 |
| Ab-Used and Discipled |
2004 |
| Academy of the Stricken |
2018 |
| Accidental Ascetic |
2020 |
| Accidental Spotlight |
2016 |
| A Centurion Whispers Among Dead Trees |
2004 |
| A Conspiracy in Practice, Not Theory |
2020 |
| A Corner Where Rumours Meet |
2020 |
| A Crack in the Chalice |
2017 |
| Across the Frozen Continent |
2017 |
| A Curse That Opens Doors (Whatever Wise Men Seek) |
2017 |
| Adamic Isolation |
2019 |
| Adam’s Tongue in the Mouth of Eden |
2022 |
| A Dashing of Feet Against Stones |
2020 |
| A Day without Death |
2016 |
| Adelphopoiesis |
2021 |
| A Desert Traveler Who Has Become Very Rich |
2016 |
| A Drawing by an Unknown Master |
2019 |
| Adumbrations of the Light |
2020 |
| A Dutiful Soul Voyaging to Its Imaginary Destiny |
2019 |
| Ædicula |
2018 |
| A Fever Among the Blind |
2018 |
| Affaire de cœur |
2018 |
| A Flowering of Tongue Fragrant With a Love Unspoken (Fluent in Being Broken) |
2023 |
| A Fly on the Wall in the House of Lust |
2019 |
| After the Flood |
2016 |
| After the Monuments |
2019 |
| Against Incrœdipal Gods |
2022 |
| A Game of Self-Reflecting Mirrors |
2018 |
| Agapanthus |
2022 |
| Agastya |
2021 |
| A Girl and a Gun |
2014 |
| A Glutton’s Bounty |
2011 |
| Agony in the Garden |
2016 |
| A Hand Dealt Face Down |
2021 |
| A Headline Does the Thinking for You |
2015 |
| A Heart among Spades |
2014 |
| A Heart like a King at War |
2018 |
| A Heart Should Always Be Beaten |
2019 |
| A Heart That Is Distant Creates a Wilderness around It |
2015 |
| A Heart That Would Be a Diamond |
2019 |
| A House the Colour of Money |
2020 |
| A Hundred and Twenty Talents |
2015 |
| A Legend in My Own Mind |
2015 |
| A Letter to My Youth |
2012 |
| Alien Literature |
2019 |
| A Light Without Shadow |
2018 |
| Al-ʾIksīr / الإكسير |
2020 |
| A Little Lower than the Angels |
2014 |
| Alkahest: Or, Fiery Love |
2017 |
| All That Was Past Becomes Present |
2019 |
| All the Tongues of Babel |
2017 |
| All Things Ensouled and Soulless |
2018 |
| All Things Were Made by Enmity and Friendship |
2017 |
| A Longing in Prayer Remembered in Stone |
2022 |
| A Long Intimacy Between Strangers |
2018 |
| Along Paths Unknown to Us |
2019 |
| A Love That Rusts on the Tongue |
2022 |
| A Love That’s Quadraphonic |
2015 |
| Altruisky |
2014 |
| A Magma of Unbearable Heat |
2019 |
| A Man Deserving Grace |
2012 |
| A Manual for Gaining Human Fame |
2016 |
| A Martyr in the Pores |
2012 |
| A Meeting of Flesh With Bone |
2021 |
| A Melancholic Shedding of a Thickening Skin |
2019 |
| Amenophis and the Cries at Dawn |
2014 |
| American Literalism |
2016 |
| A Mermaid in Its Vanity |
2016 |
| Amid the Thorns of Many Mortifications |
2019 |
| A Mirror for Princes |
2016 |
| A Month-by-Mouth Journey |
2018 |
| A Month in Mouths of Forked Tongues |
2021 |
| A Mouth in Siena |
2019 |
| Amphora |
2020 |
| Anachoresis |
2018 |
| Anachronic |
2018 |
| An Æsthetics of the Dying Sun |
2015 |
| Analytical Engines |
2017 |
| An Atlas of Danger |
2017 |
| Anatomy of the Body of God |
2020 |
| And Fire Bloomed like a Scar from Its Mouth (But It Went Out) |
2019 |
| And Into Ashes All My Lust |
2022 |
| Andreas |
2021 |
| Androboros |
2019 |
|
| Androcles |
2016 |
| An Echo From a Cave in Which Was Buried a Heretic the Same Day as a Saint |
2022 |
| An Echo in Babel’s Well |
2023 |
| An Echo in the Well |
2017 |
| Aneros |
2019 |
| Angels & Centerfolds |
2018 |
| A Night as Long as a Forest’s Path |
2015 |
| An Imagination with a Long Tail |
2016 |
| An Inn at the Crossroads |
2014 |
| Annus Horribilis |
2011 |
| Annus Mirabilis |
2011 |
| Anonymous as Angels |
2023 |
| An Orchard of Thorns |
2018 |
| Antiphon |
2017 |
| Antisocial Trees |
2005 |
| An Uncertainty of Curtains, a Dispute of Veils |
2021 |
| An Unfailing Fable |
2017 |
| An Uprising at the Burial |
2017 |
| Apart at the Seams |
2019 |
| Apex & Aphelion |
2016 |
| A Place of Abandon Our Gathering Makes Again Sacred |
2022 |
| A Poet Quoting a Poet to a Poet |
2019 |
| A Poisoner’s Manual |
2019 |
| Apologue |
2019 |
| A Portrait of a Man a Few Minutes Long, Twenty-Eight Years Wide |
2015 |
| Apricot Crop-Top (Polka-Dot Ascot, Ink-Blot Hot-Pants/Tie-Dyed Cut-Offs, Popped Squat) |
2021 |
| A Prince Plucked Out of Non-Existence |
2018 |
| A Prisoner under Every Regime |
2015 |
| A Prison of Short Sentences |
2016 |
| Arches in the Underground |
2022 |
| Argonaughtyca |
2015 |
| Argus-Eyed in the Phœnix Nest |
2019 |
| Aries Ascending |
2020 |
| A River Uphill |
2016 |
| Arschficker |
2020 |
| Art as Cure, Pomegranate as Grenade |
2020 |
| Artillery in the Art Gallery |
2016 |
| A Sacrifice in the Calm of Dawn |
2016 |
| As a Tongue to a Drop of Fire |
2022 |
| A Schematic of Grief |
2018 |
| As Confrontational as a Mirror |
2019 |
| A Séance of Rhythms |
2015 |
| A Sea-Shaken House (Protected from Wind and Wave) |
2019 |
| As Far as the World Is Wide |
2018 |
| Ashes Where Once There Was Fire |
2016 |
| As If to Profane the Blasphemous, How Irreverence Now Descends on Our Vacancy the Way Fate Swallows an Eclipse (Poetic Justice) |
2021 |
| A Silent Weapon for a Quiet War |
2017 |
| A Silvering Over of Sodden Eyes |
2022 |
| A Smile to Stain Satin |
2021 |
| A Space Defined by Absence |
2017 |
| Aspersions Cast for an Oracle |
2022 |
| Asphalt and Arteries |
2014 |
| A Spirit Shaken From the Ashes of an Ancient Magic’s Fragrant Perfume |
2022 |
| A Sponge of Purple Ink Weighted with Bitter Taste |
2020 |
| A Stone Without a Ghost |
2023 |
| A Sun at Midnight |
2019 |
| A Symbol for Something That You Don’t Know (Invariable) |
2020 |
| A Taste for Martyrdom |
2014 |
| A Televisionary Life |
2016 |
| Athanor |
2019 |
| A Thing of Flesh and Feathers |
2020 |
| A Thorn in the Flesh |
2019 |
| A Thread Through the Vein |
2022 |
| A Time to Refrain from Embracing |
2016 |
| A Trap Door Back to My Self |
2021 |
| At Some Cost and Great Trouble |
2016 |
| At the Foot of Integrity |
2016 |
| Attuned to Majesty |
2019 |
| A Typewriter and a Hammer |
2017 |
| Audiotrocity |
2015 |
| August Spring |
2020 |
| Authorized Superstitions |
2019 |
| Autohagiography |
2016 |
| Autoheresiography (Following the Spirit, Not the Letter)/em> |
2020 |
| Avant god |
2017 |
| Avernus |
2017 |
| A Vision Broken in the Field (To Bring It to the Reapers) |
2022 |
| A Visit to the Patron |
2009 |
| A Vocabulary Beyond Numbers |
2019 |
| A Void and a Plenitude, an Arrow and a Wound |
2018 |
| Avra K’Davra (I Create as I Speak) |
2020 |
| Awakened by a Great Wisdom |
2018 |
| A Weekend Apocalypse Written in a Dream on a Wilderness of Sheets |
2022 |
| A Well-Traveled Pavement |
2018 |
| A Wind Between Lights |
2019 |
| A Window, but Tinted |
2019 |
| A Winter That Would Die in Sunlight |
2023 |
| A Wolf at the Gate |
2017 |
| Azazel |
2019 |
| Azure & Or |
2019 |
| B |
|
| Babylonian Captivity |
2011 |
| Bachelor Hand |
2013 |
| Back on the Horse |
2015 |
| Baggage to Burn |
2015 |
| Bald & Chained |
2017 |
| Band of Thebes (Corporal Campbell) |
2014 |
| Barbam Promittere (To Let the Beard Grow Long) |
2018 |
| Barbarian Invasions |
2017 |
| Barbarossa |
2017 |
| Bardolatry |
2018 |
| Bareback Rider |
2011 |
| Bawdy Count |
2016 |
| Bawdy Gods |
2018 |
| Beating the Bounds |
2014 |
| Bedroom Burial Ground |
2016 |
| Beguiler |
2018 |
| Bello/Brutto |
2022 |
| Bending the Knee |
2011 |
| Beneath the Eyes and Ears of the World |
2015 |
| Beneath the Mountain |
2019 |
| Be Not Yet Existing (When the Sun Hides Himself from the Blind) |
2019 |
| Bête noire |
2016 |
| Better Than Money |
2016 |
| Between Cruelty and Pity |
2018 |
| Between Equinoxes |
2019 |
| Between Men & Apostles |
2016 |
| Between the Devil and the Deep Blue Sea |
2016 |
| Between the Hammer and the Anvil |
2019 |
| Between the Lines |
2004 |
| Between the Silver and the Mirror |
2014 |
| Between the Silver and the Mirror |
2017 |
| Beware of the Things People Say in Beautiful Ways |
2021 |
| Birdsong Against Copper Tears |
2021 |
| Biting the Dog |
2015 |
| Black and White and Red All Over (Hymn Sheet of Horrors) |
2016 |
| Black Sheep Shorn |
2014 |
| Black Tar Rose |
2016 |
| Black Tongue |
2011 |
| Blare the Bluster of That Babel |
2021 |
| Bleach and Barbiturates |
2004 |
| Bleeding Inside Each Other’s Wounds |
2022 |
| Bleu cendres |
2018 |
| Bleu sur bleu |
2017 |
| Blind Beyond My Years |
2016 |
| Blind Enemies Envious of Our Tongues |
2020 |
| Blind Men Tracing the Circle |
2015 |
| Blinding the Oracle |
2021 |
| Blistering, Erotic, Prophetic |
2019 |
| Bloodguiltiness |
2021 |
| Blowtorching the Candle at Both Ends |
2018 |
| Blue-Eyed Bayou |
2015 |
| Blue Velvet Veil |
2012 |
| Bohemia in Absentia |
2020 |
| Boned Oracles |
2017 |
| Book of Jubilees |
2018 |
| Boredom of the North |
2014 |
| Born Digital |
2015 |
| Both & Neither |
2017 |
| Breakfast at the Brothel |
2018 |
| Breaking in the Crater |
2019 |
| Breath Play |
2018 |
| Bride of the Eye |
2022 |
| Bright Lights & Poison |
2016 |
| Bringing Volcanoes to the Hills |
2015 |
| Bullets in the Temple (To Open Closed Minds) |
2021 |
| Buried in the Most Perfect Oblivion |
2015 |
| Burner Poem |
2019 |
| Burning the Menagerie |
2011 |
| Burning Up the Flame |
2017 |
| Burn Me in Effigy |
2017 |
| Burn Now or Flower Only in Shadow |
2023 |
| By Chariot at Nightfall |
2017 |
| Byromania |
2012 |
| By the Lengthening of the Shadows |
2023 |
| By the Sky Full of Returning |
2015 |
| C |
|
| Café Mulatto |
2012 |
| Cain Enabled |
2014 |
| Call Me, Ishmæl: Or, Moby’s Dick |
2017 |
| Call to Arms |
2012 |
| Campo de’ Fiori |
2019 |
| Can’t Die Unless You’ve Lived |
2014 |
| Capitalist Hymns |
2021 |
| Cargo for Kindling |
2015 |
| Carnival of Conformists |
2014 |
| Cartaphilus |
2011 |
| Cassiel |
2020 |
| Catacomb Saint |
2021 |
| Cathode Ray |
2014 |
| Catholic Damage |
2021 |
| Caught Between the Tongue and the Taste |
2018 |
| Caught in a Love That’s a Lie |
2022 |
| C.C. |
2012 |
| Cerebral Cortés |
2017 |
| Chamber Music |
2013 |
| Channel 63 (Promises! Promises!) |
2010 |
| Chaos Has Followed You, or You Have Led It |
2021 |
| Chased Beasts |
2019 |
| Chicago in May |
2015 |
| Chimæra & Disbelief |
2019 |
| Chiron the Oneironaut |
2020 |
| Christ-Stanced in a Sacrileged Place (Man Protected by the Shield of Faith) |
2022 |
| Clavicula |
2017 |
| Clepsydra: Or, the Water-Thief |
2017 |
| Climbing by Tendrils |
2021 |
| Close Your Mouth and Open Your Mind |
2015 |
| Closing the Doors of Twilight |
2017 |
| Cloudburst |
2015 |
| Clubbed to Death |
2016 |
| Codices of Light |
2018 |
| Coin of the Realm |
2018 |
| Coins of Eyes Which Envy the Moon’s Counterfeit Light |
2020 |
| Coins of Mercury |
2019 |
| Coldest in the Noontide Heat |
2014 |
| Cold-Heartists and Rabbitoirs |
2014 |
| Colosseros |
2023 |
| Coming Down |
2015 |
| Companions of the Cave |
2015 |
| Concerto |
2012 |
| Conciliation |
2012 |
| Conspicuous at Olympia (Incantation for Gorgias) |
2021 |
| Constellating This Mess of Stardust |
2021 |
| Constellations Hanging Stars Like Lanterns in the Borderlands of Horizons |
2020 |
| Consummation & Cannibalism |
2018 |
| Content on the Other Side of Chaos |
2018 |
| Copper Lantern |
2017 |
| Cor Hydræ (Heart of the Snake): Twisted Tales |
2023 |
| Corrina’s Folly |
2006 |
| Cotton to the Flame |
2022 |
| Counterfeits of the Heart |
2016 |
| Crème Fraîche |
2011 |
| Crime de cœur |
2023 |
| Critical Mass |
2020 |
| Crush |
2011 |
| Crying Fire in the Deluge |
2020 |
| Cursive Lightning |
2016 |
| Cuts Deep |
2019 |
| Cyanide by Streetlight |
2020 |
| Cyprianus |
2017 |
| D |
|
| Daedalus |
2012 |
| Damen und Herren |
2012 |
| Damnatio Memoriæ |
2020 |
| Dancing like Hieroglyphics, the Truth at Twenty-One Is Enough to Subdue Some with Its Metaphysics |
2015 |
| Danger on a Doorman’s Breath |
2016 |
| Dark Artery |
2014 |
| Darkness Promotes Speech (Light Is Silent) |
2019 |
| Daughters of the Abundance |
2019 |
| Dawn Defeats Dark |
2022 |
| Dealey Plaza |
2004 |
| Death’s Fragrance Reduced to Two Sentences (Two sCents) |
2022 |
| Decalogue |
2012 |
| Decaying Shades of Grey |
2019 |
| DEED OF SEPARATION |
2011 |
| Defy & Conquer |
2018 |
| De haut en bas |
2020 |
| Deified & Defiled |
2016 |
| Dekanoi |
2018 |
| Demonizing the Exorcists |
2017 |
| Dénouemonument (Destruction Is Imminent) |
2015 |
| Deo Non Fortuna |
2018 |
| Der Bindestrich |
2014 |
| Der Magier |
2019 |
| Deserter (Double Bref Double) |
2021 |
| Desolate Timbers Call for Wendigoëtic Measures (Tracing Triangles of Art in the Dark) |
2021 |
| Deuteronomy Jones |
2017 |
| Developed in Darkness (Like a Photograph) |
2019 |
| Devil’s Sealing Wax |
2014 |
| Dialogue Between a Courtesan and a Gentleman (Overheard Breakfasting at a Brothel) |
2022 |
| Dialogue Between a Sodomite and a Fornicator |
2016 |
| Diamond & Dagger |
2016 |
| Diamond & Dagger |
2021 |
| Diamonds With No One to Mine Them |
2022 |
| DICK. |
2011 |
| Die Letzten Tage |
2018 |
| Die Rosa-Winkel |
2020 |
| Digital S(t)imulation |
2017 |
| Dimidiatus |
2021 |
| Dirt or Deity? |
2016 |
| Disappear Into Disrepair |
2020 |
| Dissolve and Coagulate |
2014 |
| Dissolving Correspondences (A Triple Helix of Golden Cord Whose Art’s Key an Unseen Hand Holds) |
2022 |
| Don’t Ever Tell the Truth |
2014 |
| Don’t Let the Climate Change You |
2017 |
| Double Track Harmony |
2016 |
| DownEast |
2014 |
| Down the Barrel |
2015 |
| Drawn Forth From the Dragon’s Well |
2022 |
| Dressed in Vapour |
2014 |
| Dripping Into the Same Elixir |
2022 |
| Drive |
2012 |
| Drowning in Passion, Crowned With Ashes |
2022 |
| Drown It in the Dirt |
2023 |
| Dürable Diable |
2020 |
| Dust in the Jewelled City |
2020 |
| Dymphna |
2011 |
| E |
|
| Eaten Upon the Mountains (By Dust Prophesying Against Flesh) |
2023 |
| Eating the Garnish |
2015 |
| Eat the Mirror |
2016 |
| Eclipsed Son |
2021 |
| Eclogue |
2020 |
| Edifice of Fists |
2020 |
| Egocide |
2019 |
| Ego Sum Acies |
2020 |
| El Dorado |
2012 |
| Electric Lamb |
2015 |
| Element 119 |
2017 |
| Empty Vessels (Full of Longing) |
2019 |
| Engaged in Flames |
2020 |
| Entheogen |
2018 |
| Envenomed in Vain |
2022 |
| Ephesia Grammata |
2017 |
| Epigrammatical Terror |
2013 |
| Epitasis |
2018 |
| Erasing the Sum |
2022 |
| Eros & Thanatos |
2014 |
| Errant Nights (Pilgrims in an Unholy Land) |
2016 |
| Erratica |
2016 |
| Esther at the Helio |
2018 |
| Et con. |
2017 |
| Eternal Spirit of the Chainless Mind |
2015 |
| Ever the Fury |
2023 |
| Every Colour of Sound Ashes Where Once They Were Fire |
2015 |
| Every Repetition Has Its Purpose |
2019 |
| Examination of Conscience |
2011 |
| Exes & Oh!s |
2014 |
| Exhale |
2009 |
| Exhumerust |
2022 |
| Expecting Rejection |
2017 |
| Expelled from the Temple of Transforming Wisdom |
2018 |
| Exquisite Whore |
2014 |
| Extracting the Thorn |
2020 |
| Exultant, Rabid, Rampant |
2022 |
| Eyes Pledged to Idols |
2023 |
| F |
|
| Falling for the Mourning Star |
2015 |
| Falling Hard |
2016 |
| Falling Like a Thunderbolt on the First Thing With a Pulse |
2022 |
| Family Eunuch |
2019 |
| Fashionista |
2009 |
| Fastidious & Furious |
2017 |
| Fatherhood Lamented |
2011 |
| Fear Is a Friend, Failure Is an Ally |
2022 |
| Feathers Falling Back Onto the Wing |
2019 |
| Feeding the Green Lion |
2017 |
| Feuchter Tag |
2016 |
| Fields of Heather |
2015 |
| Fill Each Other Then Pass Out Together |
2021 |
| Filling a Well Spitting Wishes |
2023 |
| Filth Causes Imbalance of the Humours |
2016 |
| Finding a River in the Flood |
2017 |
| Fingers to the Bone |
2016 |
| Fire in the Age of Lightning |
2016 |
| Fire Oaths |
2016 |
| Fire Proof |
2014 |
| Fists in the Fire |
2014 |
| Flame & Æther |
2019 |
| Flesh in the House of Spirit |
2020 |
| Fleur-de-‘B’ |
2013 |
| Flight by Night |
2020 |
| Florida |
2010 |
| Flowers From Strangers |
2022 |
| Following Tears Falling Into an Eye |
2023 |
| Follow the Path of the Lightning & Bolt! |
2016 |
| Foolosophy |
2018 |
| Foraging for Wealth in Forests of Riches Which Burn Pages of Debts for Their Sweet Fragrance (Incensed) |
2020 |
| Forced Sorcery/Pay the Sage |
2015 |
| Forgiven by Someone You Want to Forget |
2018 |
| For Nine Days Does the Anvil Fall: One |
2021 |
| For Nine Days Does the Anvil Fall: Two |
2021 |
| For Nine Days Does the Anvil Fall: Three |
2021 |
| For Nine Days Does the Anvil Fall: Four |
2021 |
| For Nine Days Does the Anvil Fall: Five |
2021 |
| For Nine Days Does the Anvil Fall: Six |
2021 |
| For Nine Days Does the Anvil Fall: Seven |
2021 |
| For Nine Days Does the Anvil Fall: Eight |
2021 |
| For Nine Days Does the Anvil Fall: Nine |
2021 |
| For the Applause of All or the Love of None |
2019 |
| Four Powers |
2018 |
| Frame 230 |
2004 |
| Francis |
2012 |
| Freedom within Boundaries |
2016 |
| From Out of the Craving Void |
2022 |
| From the Same Essence |
2018 |
| Frothing the Garden |
2020 |
| Fructuous |
2020 |
| Fruit of the Vine and Work of Human Hands |
2017 |
| \′fək\ |
2018 |
| Fuck, Like, a Demon |
2022 |
| Φυκ (The Dead Metaphors) |
2016 |
| Fugitive Guru |
2023 |
| Fugitive Saints |
2018 |
| Full Coitus |
2016 |
| Fundamentally Unlovable |
2016 |
| G |
|
| Gardening Eden |
2020 |
| Gathering Evidence with My Heart in Your Mouth |
2019 |
| Gehenna |
2018 |
| Germ of Truth |
2014 |
| Ghost in Search of a Grave |
2023 |
| Giants of Old Who Ate Only Acorns |
2017 |
| Gift of Tongues |
2011 |
| Give Me Anything But Hope |
2022 |
| Give the Ink Time to Dry |
2018 |
| Glyphing the Process |
2019 |
| Gnostic Gullible |
2020 |
| Gnostic Radio |
2018 |
| God Got in the Way |
2022 |
| Goëtia |
2016 |
| Goliath |
2011 |
| Graveyard of Empires |
2016 |
| Greed Will, in the Temple, Blind |
2021 |
| (Green as the Wood) By Turns Tender and Abusive |
2022 |
| Grind & Get-Up-On |
2020 |
| Grope Therapy |
2013 |
| H |
|
| Half Dust, Half Deity |
2022 |
| Halfway Between Bedlam and Babylon |
2020 |
| Halfway to a Metaphysics |
2020 |
| Hard Corvette |
2012 |
| Harlotry & Heliolatry |
2016 |
| Harpocrates |
2019 |
| Has the Horse Already Bolted? |
2023 |
| Hazarded Majesty |
2020 |
| Headlong to Madness or Glory |
2021 |
| Head over Heils |
2015 |
| Head Shots by Zapruder |
2015 |
| Healing From Revealing Wounds Fingered Fresh When Passed Around |
2022 |
| “Heart-Shaped Glasses (When The Heart Guides The Hand)” Over-Complicated |
2007 |
| Hearts of Iron, Tears of Ink |
2015 |
| Heaven Joins with Fire |
2020 |
| Heaven Sent Fire |
2019 |
| He Blew (t)His Milky Way |
2016 |
| Hell-Moths & Hot Mouths |
2016 |
| Hell’s Kitchen |
2016 |
| Heresiacal Persecutions (To Unite the Estranged) |
2018 |
| Heroes in the Underworld |
2016 |
| Herostratus |
2023 |
| Hey, You! |
2012 |
| Hidden Scandals Painted in Oils |
2018 |
| Hideless Tigress |
2019 |
| Hills Above the Head |
2017 |
| Historiola |
2017 |
| Hollow |
2004 |
| Holly’s Hill |
2004 |
| Hollywood Magdalenes |
2023 |
| Holy of Holies |
2016 |
| Homeland Security |
2015 |
| Homonculus |
2018 |
| Honey Trap |
2016 |
| HOT MESSiah |
2012 |
| How Deep Is My Well |
2015 |
| HQ 447 |
2012 |
| Hundred-Handed Duel (Thousand-Fingered Fist) |
2017 |
| Hymn to Anacreon |
2018 |
| I |
|
| ‘I Am Afraid/I Am a Fraud’ |
2015 |
| I. C. (Imum Cœli) |
2018 |
| Iconographer Contemplating a Nimbus |
2020 |
| (Id)entity (Pentagram Inside a Pentagon) |
2018 |
| If Foes Be Food in Hell |
2016 |
| If I Should Be so Fortunate to Find This Wanderer Again |
2015 |
| I Found You a Flower |
2011 |
| If You’re Not Someone I Love Already, Then It Means Nothing to Me to Be Loved by You (Nobody) |
2021 |
| Ignotum per Ignotius |
2017 |
| I Know I Can Do It Better |
2011 |
| …Illumined Confines |
2006 |
| Illusions of Glamour |
2020 |
| I’m Not Man Enough |
2012 |
| Impervious to Lightning’s Kisses |
2022 |
| Impossibyl Angæl |
2012 |
| In a Blazing Orchard |
2019 |
| In a Lather of Faith and Lust |
2019 |
| In an Attitude of Prayer |
2019 |
| In Bed at the Adlon |
2015 |
| In Both Body and Psyche |
2019 |
| Incanting Northward Ashen Folds of Incandescent Mourning Clouded Kohl |
2022 |
| IN CASE OF EMERGENCY, BREAK |
2012 |
| Incendere Pontes (Hoc Phœnix Necessitatibus Cineres) |
2021 |
| Incited |
2012 |
| In Deutero |
2018 |
| In Excess, I Knew the Things of the Few |
2009 |
| Inexplicabilia |
2016 |
| Infected |
2011 |
| Infinite Riches in a Little Room |
2017 |
| In Honour of Its Inexhaustible Splendour |
2019 |
| Ink From Ashes |
2022 |
| In Love and in Life |
2018 |
| Inner City Memo |
2016 |
| Inner Critic |
2019 |
| Innocence Kills |
2015 |
| In Praise of Dr. John O’Bourdon, M.D., Sometime Handler of the Pilgrim’s Staff |
2012 |
| In Response to an Oracle |
2018 |
| In Response to Mrs. Ashdown, Who Asked the Poet If He Might Sometime Paint Her Face? |
2015 |
| In Response to the End of the World |
2019 |
| Inscribed in Flame on a Candle with No Ends, Lit from Within (When Praying to a Nameless Saint) |
2022 |
| Inscription for a Funerary Urn in Which Repose the Remains of a Better Poem |
2016 |
| Insurance |
2012 |
| Intermission |
2015 |
| Internecinematic Scenes of Destruction Experienced from Within (To Ignite Backlit Screens) |
2022 |
| In the Black of Some Terrible Night |
2014 |
| In the Blindness of Electric Light, Under the Rose of Their Closed Eyes and Minds |
2016 |
| In the Contemptory of the Decorated Soul |
2014 |
| In the Court of the Heroine Sheikh |
2016 |
| In the Flourishing |
2021 |
| In the Garden Where All Loves End |
2019 |
| In the Minute of My Quickening |
2019 |
| In the Mouth of Winter |
2018 |
| In the Season of Sweet Sighs |
2016 |
| In the Style of the Minor Prophets |
2019 |
| In the Text of Your Hand |
2016 |
| Intifāḍa |
2020 |
| Into a Labyrinth Without a Thread |
2021 |
| Into the Prison-House of Flesh |
2019 |
| In Vigil of Ephemeral Things |
2019 |
| Invoke & Invert |
2019 |
| Ipecacuanha |
2021 |
| IQ 133 |
2012 |
| اقتبس / Iqtibās |
2017 |
| Isaac & Iskandar: A Conquest in Verse |
2015 |
| I Seek My Elizabeth |
2012 |
| Isræl |
2018 |
| Italian Wedding |
2011 |
| Izebhel |
2022 |
| J |
|
| Jack Kerouac |
2012 |
| Jack’s Jackhammer Handshake |
2012 |
| Jacob’s Lather |
2016 |
| Jagged Little Pixels |
2016 |
| James Bondage |
2016 |
| J’avais ça dans le sang |
2019 |
| Jennasis |
2012 |
| Jezrahiah the Hæresiarch |
2021 |
| Jigsaw of a Damaged Mind |
2023 |
| Johnny Satellite |
2011 |
| Jonny Quatrain (Out Calls Only) |
2020 |
| Jono Borden |
2012 |
| Jono Borden: A Pornucopia of Degenerate Art™ |
2012 |
| Judging by the Jury’s Executioner’s Remorse, There Are Many Others Who’ve Gotten Away with Far Worse |
2022 |
| Jurassic Technology |
2013 |
| K |
|
| Katla |
2017 |
| Kid Gloves |
2016 |
| Kill, Kill, Cure |
2014 |
| King-Size Quandary |
2017 |
| Kinsey 5 |
2018 |
| Kissed by a Prick |
2016 |
| Kisses like Little Fists |
2015 |
| Kissing the Wound |
2015 |
| Kith and (s)Kin |
2016 |
| Kneeling Before Ezel |
2021 |
| Kneeling Before the Gate’s Keeper |
2022 |
| Knocking at an Open Door |
2015 |
| Kolossos |
2017 |
| L |
|
| Lady Gemini |
2012 |
| La petite mort |
2018 |
| Laughter Which Swallows the Dark |
2022 |
| Lay the Fennel On |
2012 |
| L’Écharpe |
2009 |
| Left Turn |
2012 |
| Leopard Print Tights |
2011 |
| Le Passe-muraille |
2021 |
| Leper Window |
2011 |
| Le temps détruit tout |
2016 |
| L’Étoile flamboyante |
2019 |
| Letters from High Latitudes |
2018 |
| Letters in Bruised Language |
2022 |
| Let Us Compare Anatomies |
2017 |
| L’Homme 100 têtes (homme sans tête) |
2015 |
| Liber Spirituum |
2021 |
| Liberty Shears the Sheeple |
2015 |
| Libido Sciendi |
2017 |
| Librorum Prohibitorum |
2020 |
| (Life’s) Just a Physical Reaction (To the Illusion That’s the World) |
2021 |
| Lifestyles of the Sedentary and Nameless |
2014 |
| Lighting Lanterns on a Leaning Tower |
2016 |
| Light Kindled in the Liquor of a Love Looking for Another Victim |
2022 |
| Light Turns to Stone |
2016 |
| Lilith (Read Me Without Danger) |
2016 |
| Lines on Hearing That Mrs. Ashdown Was Ill |
2015 |
| Lines on the Red-Eye |
2014 |
| Liquefaction |
2011 |
| Little Apotheke |
2012 |
| Live and Let Go |
2015 |
| Lives That Outlive Quotation |
2015 |
| Living in Death’s Linen |
2022 |
| Living like a Ruby in Dust |
2018 |
| Loaded Down |
2018 |
| Locating the Luz Bone |
2018 |
| Locked Gates to Open Wounds |
2004 |
| Logoi Sophōn |
2020 |
| Lone Wolf Alpha |
2018 |
| Look at My Lips (The Way You Would Look at a Grave) |
2023 |
| Lopamudra |
2018 |
| Lordosis Behaviour |
2011 |
| Loss |
2006 |
| Love Among the Romantics |
2021 |
| Love and Other Pseudosciences |
2016 |
| Love Dwells Not in Our Will |
2015 |
| Love Is His Own Avenger |
2008 |
| Love Never Silent Took My Blood as Ink |
2014 |
| Love of Things Invisible |
2017 |
| Loves Lost Conjured by Soft Calls (From Silk Lips) |
2023 |
| Loxodromes |
2017 |
| Loyal Awe |
2012 |
Lured to Destruction by the Sweetness of Song
|
2021 |
| Lust in Translation |
2019 |
| Lying With a Sword Between Us |
2023 |
| Lyra Davidica |
2019 |
| M |
|
| Magdalena |
2011 |
| Magia Sexualis |
2020 |
| Magister & Discipulus |
2018 |
| Making It |
2016 |
| Manumission |
2017 |
| March 16th |
2009 |
| Mariana’s Trench |
2015 |
| Mark |
2011 |
| Mark of the Beast |
2016 |
| Martyrs & Confessors |
2022 |
| Mary’s Ex Voto |
2004 |
| Mea Creatura |
2014 |
| Mechanical Royalty |
2014 |
| Medea (Deus Ex Machina) |
2021 |
| Melody & Violence |
2021 |
| Melody & Violence/Rhythm & Bruise |
2022 |
| Memory |
2008 |
| Menace & Majesty |
2019 |
| Ménage à toile (ménages étoiles) |
2017 |
| Men Eating Men |
2016 |
| Men of Discretion |
2018 |
| Metaphors in the Mixture |
2022 |
| מִיכָאֵל |
2011 |
| M.I.L.F. and Cookies |
2011 |
| Milking Ink from a Blurring of Place |
2021 |
| Milking the Bone for an Oracle |
2022 |
| Milk in the Mirror |
2020 |
| Mind Dust |
2011 |
| Mind’s Eye |
2012 |
| Minus 40 |
2016 |
| Misanthropologia |
2016 |
| Misty-Eyed Mystified |
2021 |
| Moan in Monochrome |
2023 |
| Mons Veneris |
2018 |
| Monuments Opening to Mend Extinguished Men |
2023 |
| Morphine |
2011 |
| Mount Hope Bay |
2021 |
| Mourning Sects |
2021 |
| Mouth like a Mithræum |
2018 |
| Mr. Scratch |
2011 |
| Murders and Executions |
2012 |
| Muses of the Spheres |
2021 |
| My First of Flames |
2014 |
| My Inheritance of Storms |
2015 |
| My Vulture and My Rock |
2015 |
| N |
|
| Narcissus Without a Mirror |
2016 |
| Natalie Would |
2014 |
| Nebuchadnezzar in Winter |
2017 |
| Necromancy Drew |
2018 |
| Necromanticism & Syphilisation |
2018 |
| Nekhepsut |
2011 |
| Neuron |
2012 |
| New Latitudes |
2019 |
| New Wine in Old Skins |
2017 |
| New Word Order |
2014 |
| Night (As Viewed Through a Window) |
2020 |
| Nine Layers Beneath Æther |
2016 |
| Nocturnes, with Fires |
2019 |
| No Fires Burned on Altars |
2018 |
| No Light in Heaven |
2015 |
| Nonpareil |
2019 |
| No Poetry About Love |
2018 |
| Northern Soul |
2019 |
| No Shadow to Throw |
2023 |
| No Star Wears a Veil |
2015 |
| Notes Towards a Better Understanding of My Diaries |
2019 |
| Not Forgiving In |
2020 |
| Nothing Matters (But What We Think Does) |
2022 |
| Not Two Hairs Alike |
2015 |
| Now |
2004 |
| Now, Here as I Am |
2015 |
| Nursery Crime |
2011 |
| O |
|
| Oath of the Abyss |
2018 |
| Oblique |
2021 |
| Obsessional |
2011 |
| OCcULtUS |
2021 |
| Oceans Will Be the New Borders |
2020 |
| Oculus Sinister |
2018 |
| Odalisque |
2016 |
| Of Everything That Is and Won’t Be |
2018 |
| Offer Me (A Little Dishonesty) |
2016 |
| Of Some New Grief Conceived |
2018 |
| Old Souls Looking for New Homes |
2017 |
| Oneironautics |
2017 |
| On Going to a Steakhouse after Shopping for Sex Toys |
2016 |
| On Leviathan’s Lips |
2017 |
| Only Broken on the Inside |
2014 |
| On My Beggar Knees |
2020 |
| On Red Sand Stand Bent Towers of Blue for the Glimpse of the Few to Apprehend |
2021 |
| On Rising Hard, Pressed for Words, Having Dreamt Again of Mrs. Ashdown |
2015 |
| On Rising Thirsty from a Vision of Mrs. Ashdown Watering Blossoms in Her Conservatory |
2015 |
| On Shoulders like Ours (The Burden of Poets) |
2015 |
| On the Door of a Lavatory along Interstate 40 |
2016 |
| On the Lips of Saints |
2016 |
| On the Night When He Poisoned My Rest |
2021 |
| On the Road to Ruin |
2015 |
| On the Rocks (Divorce) |
2011 |
| On the Sale by Auction of a Portrait of the Author, Purchased by a Former Lover |
2016 |
| On This Day I Complete My Twenty-Sixth Year |
2013 |
| Open Hand (Winking Palm) |
2021 |
| Opening the Heart (So That the Flame Streams Forth) |
2022 |
| Ophelia the Prophetess |
2021 |
| Ophidian |
2018 |
| Orange on the Right |
2011 |
| Orchids at the Stage Door |
2019 |
| Orchids for Breakfast |
2015 |
| Orison of Seven Words |
2018 |
| Orpheus and the Liar |
2016 |
| Ouroboric Tales |
2020 |
| OUTliar |
2022 |
| Out of the Fog of Our Waking |
2021 |
| Out of Time into Eternity |
2015 |
| P |
|
| P – J = </3 |
2011 |
| Pain Gives Way to Peace |
2016 |
| Painted Lines |
2012 |
| Painting Agonies on Artificial Ruins |
2023 |
| Paint Some Life on the Corpse |
2016 |
| Pale as Death, Naked as Sin, and Witched |
2021 |
| Pale From the Imagined Love of Solitary Beds |
2020 |
| Pale Petals Ossifying Opaque |
2021 |
| Pandor(i)an Grey |
2017 |
| Parthenogenesis |
2017 |
| Pasquinade |
2018 |
| Passing From the Familiar Room |
2020 |
| Passiontide |
2011 |
| Pasteural |
2015 |
| Past Omnipresent |
2022 |
| Pathos of the Ruin |
2019 |
| Peacock in Monochrome |
2022 |
| Pearl-Diving off Al Zubarah |
2014 |
| Pelagiarism and Other Guilty Pleasures |
2013 |
| Pepsi-Cola |
2012 |
| Perigee Syzygy |
2018 |
| Permutations |
2020 |
| Per Os |
2019 |
| Personæ Ungrateful |
2016 |
| Pervert or Poet‽ |
2017 |
| Pesticide (Noxious Nihilism) |
2004 |
| Petasus & Talaria |
2018 |
| Peter and Paul |
2011 |
| Petrichorus Lines |
2014 |
| Philosophy in the Boredroom |
2013 |
| Phlogiston |
2018 |
| Phosphorus & Vesperos |
2019 |
| Phyllotaxis |
2018 |
| Pictures at an Exhibition |
2023 |
| Pierced but Pure |
2015 |
| Piercing With Sapphire Inscrutable Eyes |
2022 |
| Plague in an Ancient City |
2018 |
| Platonic Solids |
2020 |
| Pleasure in Exile |
2016 |
| Plutonium |
2003 |
| Poems to Fuck To |
2018 |
| Poeta Non Grata |
2022 |
| Poets Deal in Li(n)es |
2014 |
| Poets (We Do Li[n]es) |
2015 |
| Poisoned Boys & Cures for Narcissism |
2015 |
| Polar Surge (Solar Purge) |
2020 |
| Policing the Nuances |
2018 |
| Polishing Mirrors |
2014 |
| Polluted by Glory |
2020 |
| Poor Orphans Abandoned in the Forest of the Universe |
2015 |
| Pôr as cartas na mesa (Carta para Miguel) |
2021 |
| Postliterate |
2018 |
| Poverty in the Midst of Plenty |
2019 |
| Powder-Blue Négligée (White Go-Go Boots) |
2021 |
| Praise the Load |
2015 |
| Praxiteles |
2019 |
| Prayer after Communion |
2018 |
| Prayer Before an Ossuary |
2019 |
| Prayer for an Eclipse |
2021 |
| Prayer for an Unknown Purpose |
2022 |
| Prayer in Reverse |
2018 |
| Prayers on My Lips |
2020 |
| Precocious |
2018 |
| Pre-Coital Post-Script |
2021 |
| Preparing for the End Since the Beginning |
2019 |
| Presence, Pretense, Breakpoint, Voice, Clash, and Expulsion |
2022 |
| Privy to a Prayer |
2019 |
| Promethean Powerhouse |
2021 |
| Prometheus Pardoned |
2013 |
| Promontory Palace |
2016 |
| Proximity Awareness |
2020 |
| Prussian Blues |
2015 |
| Psychopompous (Until Dust Chokes Their Veins) |
2020 |
| Punish the Curious |
2017 |
| Purging the Liturgy |
2020 |
| Pursed Lips & Parted Legs |
2017 |
| Pussy Liquor |
2011 |
| Q |
|
| Quadrivium |
2017 |
| Quake |
2010 |
| Quiet Before the Howl |
2017 |
| Quorum: It Only Takes One to Break a Heart |
2010 |
| Quoted in Symbols |
2019 |
| R |
|
| Rapport |
2010 |
| Recreational Antacids (For Whom This Heart Burns) |
2022 |
| Reddened from the Violence of Fire |
2021 |
| Reflecting Pools: A Monologue for Three Victims |
2014 |
| Regret |
2011 |
| Reinvented |
2012 |
| Remember King Jude |
2012 |
| Respect des fonds |
2014 |
| Resurrected in Your Image |
2022 |
| Resurrection Machine |
2017 |
| Reverse Delta |
2020 |
| Rex Babulonis |
2019 |
| Ripples of Breath Wrinkling Mirrors |
2023 |
| Rita |
2011 |
| Rockstar |
2003 |
| Roses Ask Pardon for Their Wounds |
2014 |
| Rosy Cross/Thorny Crown |
2018 |
| Rubricator & Illuminator |
2017 |
| Rue des Martyrs |
2019 |
| Rushing Upon the Blade |
2020 |
| S |
|
| Sabrina Saturnalia |
2021 |
| Sacking Byzantium |
2021 |
| Said the Rebel |
2013 |
| Sailing Past the Siren-Islands |
2020 |
| صلاة الغائب / Salat al-Gha’ib |
2018 |
| Salix babylonica |
2018 |
| Salmo salar |
2017 |
| Salon des Refusés |
2018 |
| Salting the Rim (A Heart Shaken, but Not Stirred) |
2017 |
| Samizdat |
2019 |
| SAMO |
2015 |
| Sanctum Sanctorum |
2017 |
| Sand & Blood |
2016 |
| San Fernando |
2012 |
| Sangin’ 4 Charity |
2007 |
| Sanguinaria |
2017 |
| Santalum album + Angelica archangelica |
2021 |
| Sapient Homo |
2021 |
| Sapphic Sisters |
2020 |
| Sardonyx |
2018 |
| Saturnine Saturn Day Night-Goals for Underworlding Mercurial Night-Owls—“Please Do Not Disturb,” Underdogging Worldlings Need Not Be Concerned… |
2021 |
| Satyrday Knights |
2018 |
| Scapegoat |
2004 |
| Scratches in the Wax |
2017 |
| Scrimp |
2012 |
| Sealed by Sacred Glyphs |
2018 |
| Seconding the Syllables of an Unutterable Echo |
2023 |
| Self to Selfless |
2009 |
| Semenology |
2011 |
| Serial Papist |
2016 |
| Sescenti Sexaginta Sex |
2020 |
| Seven Are One (It Is Finished When) |
2004 |
| Seven Unspoken Requests |
2017 |
| Sex & Sandalwood |
2019 |
| Sex and Violence |
2011 |
| Shake the Thunder from the Sky |
2015 |
| Shameless Faithlessness |
2022 |
| Shameless Grace |
2016 |
| Sheireil / לשּׂעירםאל |
2019 |
| Shemhazai & Istehar |
2020 |
| Shibboleth |
2019 |
| Shock & Applaud |
2016 |
| Shouting at the Same Echo (Here Where the Fire Burned) |
2019 |
|
| Shovels & Prayers |
2020 |
| Sibyl Twilight |
2015 |
| Sigh as We Might, Breath Is Breath Is Breath, Is Life… |
2021 |
| Silence and Sirens |
2016 |
| Silence Which Reveals an Unspeakable Love |
2019 |
| Silent Alarm |
2015 |
| Silent Tragedian |
2019 |
| Silk Rabbit |
2016 |
| Silver Splatter Patterns |
2021 |
| Silver Under Ash |
2022 |
| Simoom & Sirocco |
2016 |
| Simple Simony |
2011 |
| Simple Simony |
2013 |
| Sinful & Willful |
2019 |
| Siren Song |
2011 |
| Sisterhood of the Shallow Breath |
2021 |
| Sisyphus & Samsara |
2016 |
| Six Exilic Letters (For My Fellow Sex Addicts) |
2022 |
| Sleeping in My Own Arms |
2019 |
| Snakes Can’t Kneel to Pray |
2014 |
| Snow on the Face of the Desert |
2018 |
| Sojourners in a Waking Dreamscape |
2020 |
| Solomon |
2011 |
| Solomon’s Porch |
2014 |
| Soma/Sema |
2021 |
| Some Sordid Street of Ill-Fame |
2017 |
| Somewhere between a Prayer and a Doubt |
2016 |
| Son Chemycal |
2019 |
| Son of a Mason Who Made Monuments in Stone |
2021 |
| Song of Ascents |
2020 |
| Son of the Morning: Twelve Confessions |
2012 |
| Sons of Onan |
2019 |
| Sons of Thunder (Boanerges) |
2017 |
| South of the Mouth |
2021 |
| Southwest of Where the Sun Sets |
2017 |
| So, We Meet Again, Eunectes Murinus |
2012 |
| Sown in the Seven Achers |
2015 |
| Speculum (Filled Within by God, So That the Beholding Is Turned Into the Soul) |
2020 |
| Splinters of Ivory |
2020 |
| Splitting the Rib |
2021 |
| Squatting Like a Harlot at the Crossroads |
2020 |
| Stag in the Sanctuary |
2021 |
| Stalactite Drip |
2019 |
| Stars Falling From Flaming Balls of Light |
2021 |
| Steel Your Glance, After the Peak Falls the Glimpse, Fails the Glamour to Produce Its Effect (Desire Dissipates, Distance Spreads) |
2021 |
| Steeping the Sky in Blood from Ruby Wounds |
2022 |
| Stemming the Rose, Pitting the Cherry, Casting the Stone |
2020 |
| Stichomythia |
2018 |
| Still Life with Blackening Apples |
2019 |
| Still Lives |
2014 |
| Stitched in Rivulets |
2022 |
| Stitched with Flame |
2020 |
| Stolen Fire (Falling From a Star) |
2022 |
| Stone |
2011 |
| Stone Houses Filled with Terrible Ordeals |
2017 |
| Strategic Use of Negative Space |
2018 |
| Sub Rosa |
2014 |
| Suffering Something (That Is Remarkable) |
2017 |
| Sugar on the Lips of Dawn |
2014 |
| Suicide at Dawn |
2018 |
| Sui Generis |
2016 |
| Sulphur, Salt, and Mercury |
2017 |
| Summer in Avignon |
2012 |
| Sundial (Planted in the Shade) |
2022 |
| Sundown of a Blank Stare |
2016 |
| Sundown Soundtrack |
2019 |
| Sun in the Seventh House |
2017 |
| Sun of the Sleepless |
2022 |
| Sunrise in a Blizzard |
2016 |
| Surrounded by Sphinxes Worked in White Marble |
2017 |
| Swallowing Lightning |
2015 |
| Swan Fight |
2019 |
| Sweating the Bell |
2021 |
| Sweltered Venom |
2017 |
| Sword of Samæl |
2019 |
| Sympathy for the Dragon |
2023 |
| T |
|
| Tabernacle with Two Altars |
2020 |
| Tacit Pacts |
2021 |
| Tailor and Thimble |
2011 |
| Tainted Rose |
2004 |
| Take It Up with My Maker |
2019 |
| Taking on Wonder |
2017 |
| Taking the Cure |
2018 |
| Taking the Low out of Lonely |
2016 |
| حكايات من النقاب / Tales of the Niqāb |
2014 |
| Tall Tales and Appellatia |
2015 |
| Target Practice for the Blind |
2016 |
| Tarnishing the Tincture |
2022 |
| Taste Your Self on My Lips |
2021 |
| Tauroctony |
2015 |
| Tea with Mussolini |
2011 |
| Telemaco (Papà alla puttanesca) |
2017 |
| Tell It Not in Gath |
2014 |
| Tenth Letter |
2018 |
| Terror Incognita |
2014 |
| Than Which Nothing Is More False |
2019 |
| That You Might Know (What Sort of People We Used to Be) |
2018 |
| The Afterlife of Trees |
2014 |
| The Agency Said They Were Sending a Blond(e) |
2018 |
| The Air of Hell Will Tolerate No Hymns! |
2022 |
| The Algebra of Wickedness |
2018 |
| The Alphabet and the Algorithm |
2019 |
| The Anarchivist |
2017 |
| The Anhedoniacs (Breath Erases Epitaphs) |
2022 |
| The Animal and the Edible |
2018 |
| The Back Roominati |
2012 |
| The Best of Those Which Are Not Holy Books |
2017 |
| The Biblioklept |
2012 |
| The Big Dipper |
2011 |
| The Bishop |
2011 |
| The Black Obelisk |
2019 |
| The Brilliant Darkness of a Hidden Silence |
2018 |
| The Cephalophore |
2012 |
| The Chair of Despair |
2012 |
| The Coming Prince |
2021 |
| The Consequence of Wanting |
2016 |
| The Courtesan |
2012 |
| The Daguerreotypist |
2016 |
| The Death of the Grave Digger |
2023 |
| The Deformed Transformed |
2012 |
| The Deformed Transformed: A Rubáiyát |
2012 |
| The Demand That I Know I Am |
2014 |
| The Dentistry of Souls |
2014 |
| The Devout Heretic |
2018 |
| The Dillinger Excursus |
2017 |
| The Dissident’s Lexicon |
2014 |
| The Dolls of Dresden Row |
2015 |
| The Dome of the Rock |
2011 |
| “The Dope Show” Reversed |
2011 |
| The Drowning in Babel Blues |
2016 |
| The Duke |
2012 |
| The Echoes of Statues |
2019 |
| The Embalmer’s Apprentice |
2016 |
| The Endymion of Gottingen Street |
2018 |
| The Ephemeral Election |
2016 |
| The Euphemystics |
2019 |
| The Eve of Red Tuesday |
2015 |
| The Evidence of Asterisks |
2016 |
| The Fallen Are Transparent |
2004 |
| The Field Trench’d with Tears |
2005 |
| The Flesh of Apples |
2018 |
| The Fool of My Own Wishes |
2016 |
| The Frailty and the Decay |
2019 |
| The Galley Slave |
2007 |
| The Gargoyle of Argyle |
2016 |
| The Glass Recital |
2018 |
| The Gospel of Lazarus |
2018 |
| The Great Triangulation |
2014 |
| The Hole Is Where the Heart Is |
2015 |
| The Home of Pain |
2004 |
| The Humiliation of Witnessing a Sun Which Has Already Risen |
2019 |
| The Huntsman’s Quarry |
2020 |
| The Importance of Seeing the Skull beneath the Skin |
2016 |
| The Imprecisionist |
2018 |
| The Infidelity of Felicia Saint-Pierre |
2016 |
| Their Names Will Not Pass My Lips |
2017 |
| The Jōb Interview |
2012 |
| The Killing Tree |
2016 |
| The Last of the Laudanum |
2016 |
| The Lighting of One Flame from Another |
2017 |
| The Looking-Glass |
2011 |
| The Luxury of Integrity |
2018 |
| The Lyric That Made of Crime a Prophecy |
2017 |
| The Man of Axum |
2013 |
| The Master of His Johnson |
2014 |
| The Mercy Squirt |
2018 |
| The Metéora |
2017 |
| The Midwife |
2012 |
| The Moral Pornographer |
2017 |
| The Nightless City |
2019 |
| The Nun |
2012 |
| The Oath of Hypocrites |
2016 |
| The Only Thing That’s Real |
2012 |
| Theos & Ourgia |
2017 |
| The Perfume of Tarantulas |
2016 |
| The Pornographer’s Apprentice |
2018 |
| The Printer’s Devil Marked Me for an Author |
2015 |
| The Protector of Men |
2004 |
| The Province of Sleep |
2016 |
| The Punk Duality |
2014 |
| The Question of Interpreting Silence |
2017 |
| The Question to Everyone’s Answer |
2013 |
| There Is a Dance They Do in Their Pens |
2014 |
| The Return of Miss Hypatia Leigh |
2015 |
| Therianthropy |
2022 |
| The Rocks |
2012 |
| The Saint Who Bleeds Ink |
2020 |
| The Sayer and the Soothed |
2018 |
| The Scream in the Kaleidoscope |
2019 |
| The Seer |
2012 |
| The Sign and the Signified |
2017 |
| The Sign of Sorrow from Self-Undoing |
2018 |
| The Sinless Paradise of Stolen Joys |
2019 |
| The Sinless Paradise of Stolen Joys |
2022 |
| The Skill That Hell Unchained |
2006 |
| The Smith and the Devil |
2017 |
| The Spindle and the Record Spun |
2013 |
| The Star in the Lantern |
2019 |
| The St. Valentine’s Day Massacre |
2012 |
| The Temerity of Alexis Kinkaid |
2017 |
| The Tempest |
2009 |
| The Temptation of Desdemona Hendricks |
2016 |
| The Tenth Muse |
2016 |
| The Thawing Attic |
2004 |
| The Thief |
2012 |
| The Undertaker’s Understudy |
2021 |
| The Unlikely Likely One |
2021 |
| The Very Act of Observing Something Changes It |
2016 |
| The Vice of Kings |
2019 |
| The Visitation |
2012 |
| The Void |
2014 |
| The Wanderer (Devotion in the Shadow of Demise) |
2004 |
| The War in Heaven |
2011 |
| The Weapon of Art |
2015 |
| The Wilderness Beyond Eden |
2018 |
| Thick & Viscous |
2017 |
| Thief of My Honour |
2019 |
| Thinning to Fade |
2004 |
| This Conversation Never Happened |
2016 |
| This Is Me With Nothing |
2021 |
| This Is the Path of the Sun’s Journey by Night |
2015 |
| This Picture of Mine (Taken in the Shadows) |
2019 |
| This Side of the Tomb |
2019 |
| This Way to the Egress |
2020 |
| Those Treasures Beyond Price |
2018 |
| Three & Thirty |
2021 |
| Three at a Time |
2018 |
| Three Shades of Night Fall |
2016 |
| Through the Black Forest (On the Treasure Trail) |
2016 |
| Thrust |
2019 |
| Thunder in Places of Rest |
2020 |
| Thunder on the Tongues of Mumblers |
2017 |
| Time Has No Alibi |
2020 |
| To Add a Story to the Tower of Babel |
2015 |
| To a Dutchman on Finding My Notebook |
2015 |
| To All upon Whom These Words Shall Come—My Affection Is Fleeting |
2013 |
| To a Sculptress, Pleading |
2017 |
| To Be Judged a Fraud by God |
2019 |
| To Believe That You’re Not Leaving (After the Fire Goes Out) |
2022 |
| To Burn Always Hard, with a Gem-Like Flame |
2016 |
| To Burn Into Fullness of Bloom |
2022 |
| To Dispose of an Oath |
2021 |
| To Florence |
2013 |
| To Gain Heaven without Suffering |
2017 |
| To His Muse |
2019 |
| To J.T., or, Ode to an Obelisk |
2009 |
| To Love the Pitcher Less and the Water More |
2015 |
| To Make the Darkness Visible, the Pain Bearable, the Lie Liveable |
2019 |
| To Make War on the Saints |
2016 |
| Tomb of the Lovers |
2016 |
| To Meet with Darkness in the Daytime |
2017 |
| Tomorrow Is Our Permanent Address |
2018 |
| To My Old Master |
2015 |
| Tongue & Groove |
2019 |
| Tonguing Licks like Splinters in a Wrist |
2022 |
| Tonguing Whispers of Ancient Loves That Vanish in Tears |
2021 |
| To Pasargadae (Between Two Thrones and Heaven) |
2015 |
| To Pound a Lightweight without a Glove |
2017 |
| Torch Every Timber Shaft Down to Its Last Ember |
2021 |
| Torching the Psalms |
2015 |
| To Reign Among the Ruins |
2018 |
| To Relinquish the Sword for the Ring |
2016 |
| Torn Star |
2012 |
| To Save a Soul from the Mirror |
2015 |
| To See Another Through Something Other Than the Apparatus of the Eye |
2018 |
| To Suffer an Eclipse |
2018 |
| To Sustain the Weary with a Word |
2017 |
| To That Paphian Girl of Mine (Painted like the Night) |
2017 |
| To the Beloved in a Bathhouse |
2015 |
| To the Legs at Table 38 in the Uffizi Gallery Café |
2016 |
| To Traffic with the Devil Is to Pay His Price |
2016 |
| To Walk Soundlessly Over Loose Boards |
2019 |
| To Walk the Disaster’s Length |
2019 |
| Towers of Silence |
2016 |
| To Worship Within Windowless Walls |
2020 |
| Tracing Out Paths to Destinies Through Exits No One Knows |
2021 |
| Training to Wreck |
2022 |
| Tramontana |
2015 |
| Transit of Venus |
2012 |
| Translating Anguish Into English |
2023 |
| Trees and Pancake Mix |
2004 |
| Tributary |
2016 |
| Trimming the Lamps of the Idols |
2019 |
| Triple Entendre |
2013 |
| Triskelion |
2020 |
| True Romantics |
2015 |
| Truth Heard in the Wind |
2015 |
| Turned to Ash (Burned Alive)/In the Soft Light of the Flesh |
2022 |
| Turquoise Maserati |
2023 |
| Twisting Into a Braid Two Fates by One Shared Glimpse Sealed Against Shame |
2023 |
| Two Brunets |
2021 |
| Two Dudes |
2016 |
| Two Illuminations |
2015 |
| Two Labourers |
2021 |
| Two Silences |
2014 |
| Typhœus |
2019 |
| Typography and Tyranny |
2016 |
| U |
|
| Uncomfortably Prophetic |
2021 |
| Under No Stone Erected |
2022 |
| Under the Weight of a Single Tear |
2016 |
| Unfired Phœnix |
2019 |
| Unprotected Sex on the Desk of an Esteemed Assyriologist |
2016 |
| Unraged |
2019 |
| Until the Inquisition Catches Up with Me |
2016 |
| [Untitled] |
2004 |
| Untitled Kingdom |
2016 |
| Untransubstantiated |
2020 |
| Unzipping Flies |
2020 |
| Up Against Old Jezebel’s Tree |
2012 |
| Upon a Blossoming Throne |
2019 |
| Urban Hermitage |
2019 |
| “User Friendly” Over-Complicated |
2007 |
| V |
|
| Varlet Scapegrace |
2020 |
| Vengeance Performed in Stone |
2023 |
| Venus Verticordia |
2019 |
| Viaticum |
2021 |
| Victor & Victrola |
2021 |
| Videosyncrasy |
2014 |
| Vimanagram |
2017 |
| Virgin Lightning and the Invisible Crime |
2015 |
| Virgin Pearls Torn From a Soiled Tapestry |
2021 |
| Virgin Vault |
2015 |
| Virtues & Intentions |
2019 |
| Viscous Cycle |
2020 |
| Voces Magicæ |
2017 |
| Voice and Nothing More |
2018 |
| Volumes of Echoes |
2015 |
| Vulgar Banditry |
2020 |
| W |
|
| Wagering Eternity for a Teardrop |
2017 |
| Waiting for the Moving of the Water |
2019 |
| Waiting for What Gabriel Brings |
2016 |
| Waking Up to the Sound of Beauty (In Your Silence) |
2019 |
| Walking Alone in the City of the Cannibals |
2019 |
| War of the Words |
2015 |
| Waterless Places |
2016 |
| Wayward Creature |
2018 |
| We Are Who We Are |
2012 |
| Wearing Only Shadow Woven in Golden Filaments |
2023 |
| Wechsler 145 (WAIS-IV) |
2018 |
| Weeping at the Well |
2016 |
| We Found the Center at the Edge |
2019 |
| Well of Soles |
2016 |
| We’ll See How the Sky Catches Fire |
2016 |
| West Down Ventura |
2012 |
| (what am i supposed to do with tHIS heART?) |
2012 |
| What Scandal Drips into the Ear of Eve |
2016 |
| when god is going on (when is what is going on god and when is it not?) |
2020 |
| When I Wasn’t Rich |
2014 |
| When the Past Asks Something of the Present |
2016 |
| When the Soul’s Been Widowed |
2015 |
| When the Stars of Orion Are Blinking |
2018 |
| When Wolves Swam Among the Flocks |
2018 |
| Where Abundance Suffocates Joy |
2019 |
| Where All Flames Meet |
2018 |
| Where It Went, I Went Past |
2016 |
| Where No Moth Comes to Devour and No Worm Destroys |
2020 |
| Where People Remember to Forget Things |
2022 |
| Where the Storm Drives Me |
2016 |
| Where the Willow Does Not Weep |
2016 |
| Where the Willow Does Not Weep |
2019 |
| Where Water Walks on Us |
2016 |
| Whispering at the Edges of Perception |
2023 |
| Whispers Dissolve to Breath |
2022 |
| Whispers from the Edge |
2016 |
| Whispers Thicken Into Echoes |
2020 |
| White Ladies |
2011 |
| Whither Men Scarce Ever Come |
2019 |
| Whorrible |
2011 |
| Whose Elusive Truth Bruises Through This Flesh? |
2020 |
| Whose Newly-Pierced Bones Have Been Polishing Doctor Dee’s Old Shewstone? |
2017 |
| Whose Wife, Then, Will This Woman Be? |
2017 |
| Wicked Creatures |
2019 |
| Witching the Water |
2020 |
| With a Laugh in His Heart (Like a Knife in the Dark) |
2023 |
| With Fluid Steps (Trickling Toward the Lyric’s Edge) |
2021 |
| With My Brights on in a War-Time Dim-Out Zone |
2023 |
| Without a Sin, Without a Victim |
2015 |
| Without Fear or Favour |
2014 |
| Without God or Guardian |
2016 |
| With That Black-Eyed Intensity (Of Suffering and Spirit) |
2018 |
| With the Ghost of an (H) [«Hodie Non Cras!»] |
2021 |
| Words for Those to Drink Who Faint in the Wilderness |
2017 |
| ’World’s Gone Mild |
2012 |
| Worse Than Legal |
2020 |
| Written on the Ribs (With a Quill From an Inkwell Into Which Milk Has Been Spilled) |
2023 |
| Written on the Wings of a Moth in the Mouth of a Golem |
2022 |
| X |
|
| Y |
|
| Yeah, When I Romance |
2012 |
| Yesterday’s Nudes |
2020 |
| You, Listless |
2014 |
| Your Beauty Is More Proof of God Than I Need |
2016 |
| You Who Govern the Course of the Sun |
2018 |
| Z |
|
| Zoetrope |
2014 |
Jono Borden 