All things which we do today were done by us in him before we were made.
—Donne1
9
god and sin enter us at the same time,
in our first minute of life—
to be candid and private at the same
time, two neon lives drip into sunrise
a quivering brightness whose
kaleidoscope soothes to humid stillness
a soul’s fugitive light, flies in traces
of anemone fragrance
whose impatient breath blows petals open
knowing that, soon enough, once within, its
kiss fulfills a purpose no
one but death understands, blowing away
these same petals of flesh wearing us out
like clothes, slows us down until
eyes close, entices and synapses fire
into an omen, an illusion smoke
swallows, disavowing all
knowledge of the good lingering with sin
inside of a man ever since their first
double penetration made
of Adam’s rib and a serpent’s tongue in
Eve a memorable scene editors
saw fit to keep implicit
in the final cut of Genesis, what
censors parse as temptation Cabalists
read as a script for an act
in a playbook they call B’reshit, six
letters which, as numbers (per the Mispar
Gadol method of mystics
who practice gematria) yield the sum
913, meaning ‘in the beginning,’
among other things this phrase
opens and closes, book-ends, as it were,
1
the Torah, scripture is more than a code,
however, what translation
loses in a culture’s movement of text
is original intent, in this case,
a sentiment saying to
who will listen, the way of creation
negotiates with no one, extolling,
‘first in thought, last in action,’
a maxim every substance follows
as oil allows itself to be absorbed
by bread, entering by lips
into an alabaster prison which
glows lamplit, laughing at her contents with
the convictions of whom she
covenants, a communion of spirits
believing the body’s walls worth being
devoured by sarcophagus
teeth, ignorant of their own origin,
tell it to your bones that though this is not
the only moment of which
you are made, to experience wisdom
clings, coils like a corkscrew tendril of spring,
helical, eventual,
and returning, filial as salmon
honouring upstream the same fiat from
which we sprang, at the loom strings
weave in the minute of my quickening
a tapestry of veins whose network I
feel too iridescent to
escape, tubes contain vastnesses no clique
can change, gaseous multitudes of humming
pastel channeling the nude
lies my pulse dances to, signs headlining
3
horizons highways dissolve under as
a malice of figurative
language touches on insignificance
and delights in high-fiving as it drives
by what highlights existence
before this depiction’s clarity fades,
that I am two things in one, as triune
a host as Gilgamesh or
Christ was, opposites in a box of god,
an idiot who tells tales and walks off,
sees the deep, returns, departs,
a seed forever asleep in the hearts
of those on whom gravity’s faulty Mach
apple falls silent, bruises
hard with bitter thoughts, and fails those who watch,
I am Cain’s descendant observing all
of Newton’s undoing with
hypotheses nature’s atomic seams,
an obscene misunderstanding that we
are where she demands to be
reverenced, flickering filaments, our
name fluoresces, is fluid as sex
on television, the shame
is a sham, choreographed, intimate
as disease, a genetic regime’s least-
coördinated attack,
a family which tries to distill life
drinking the ink tears alchemize ashes
to be, an epiphany
of grief transfigures me, making what seems
distant nearer, my legacy clearer
to me, that our ancestors,
before dropping from trees, ate fruit and knew
the cause of everything.
__________
1John Donne, “From Essays in Divinity” in “From the Sermons, Essays and Devotions” of Donne: Poems and Prose[: Selected by Peter Washington], published at New York by Everyman’s Library in 1995; pages 214–215.