i. Voiceprint
In accordance with local tradition
and particular custom, we cry with
those who mourn, scorned journeymen performers
weeping unforeseen and unscripted tears
of untold conviction, less frivolous
in our need to be seen this time, silenced
minstrels bleeding from behind blind eyes what
no one will realize is real until,
without all the pieces of their broken
spirits, they fear us as we rise into
catacombs of vacant ears, a grinning
of bones bared lighting from within those kids
whose ribs reverberate with slowed heartbeats
waltzing to calming tempests of devout
chanting, waves of doubt pulsing against your
whiplashes of harsh and rash judgments, such
unfounded intolerance relenting
its reaction, your emptiness granting
prophecy an audience and for once
you listen, not wanting one’s existence
ii. Wild Pitch
to end warming you up to this portent,
interested in its digression when
we find in the arms of the oracle
of Memphis, in that whore’s embrace, with its
scarlet parade of torrid promises,
compelling evidence of discarded
gods who insist on keeping secret their
credentials and reasons for sleeping so
long on, and with, the living proof of true
miracles, for abandoning heaven
in favour of Tennessee’s own temptress,
Babylon’s little sister, and you hear
how we were, and how we all have been, so
hemmed in by this world’s damned labyrinth of
cursed water that not by speaking, but by
dying, drowning in its ink’s perversion
of our reflections, drinking in clouds of
illusions, could we overcome its mouth
lying open near the foot of her bed,
your belief our souls’ only escape plan.