An ossuary of ancient
snow, weighted with broken tears thrown
out by impatient virgins whose
bone-barren hearts broach blossoming
with no remorse, flows over bland
dreamscapes rolling dawn’s primrose warmth
to blushing rouge, crushing under
its path springtime’s pact with the moon,
that weaning its wails off of wax
is not something this dying world’s
funeral dirge of undesired
muses can do, their witch-fingered
hazel tracing rail-thin cables
of cracks in its surface, like li(n)es
undermining ice of its once
noble prejudice against time,
equinox and solstice collide
where blind tradition buries twice
its ritual’s unkind critics,
and collapsing here, among dried
rivers and rusted rivets, what
structure holds together our souls’
cold Faraday cages of more
spiritually-charged matter
is not fixed architecture, but
renegade weather, paradox
penetrating thoughts with questions,
annihilating an entire
population’s expectations
of existing forever, fate
making of jealous lives priceless
relics, ghosts’ faces remembered
only because zephyrs whisper
names of seasons past, as their breath
passes each departed lover
whose touch untouched wilderness waits
to discover, flown crow and crone
cowering under thorns crowning
one another, as the sublime
anticipates its cultural
rape by an unkinder winter—
civilization’s fall calling
and covering up its faults, while
manifesting its creation’s
more miserable miracle
of disintegration, painting
over the forest’s pastoral
with a favour tasting bitter,
asking of nature its total
submission to new rules, to stop
resisting appropriation
and embrace having been chosen
for servitude, as facet-toothed
suits smile diamonds, sputtering
demands, forcing Fascist-booted
workmen into platoons of post-
mortem demolition crews, hired
to modernize and to remove
from this temple’s veils what truths their
ineptitude turns to a tomb—
and so, with a ‘Sieg Heil!’, see how,
from city to suburb, Progress®
moves and chaos prevails, paring
down mountains and leveling towns
in the space of midnight-to-noon.