i. Zenith
It is my turn to throw the discus,
thickness of fist gripping it, pulses
fingered, virgin flesh impoverished
its blush, pain naïve crowds dismiss as
necessary, part of this process,
their wounded egos mere nuisances,
eyeing my pen and what it presses,
dying to be moved by what I am
doing, so to appear more ruthless,
I address who, in their defiance,
my words will most inspire, those climbing
not farthest up, but who are left
at the wide bottom of fame’s highest
funeral pyre, the burning nameless
tonguing flames, contributing furnace
layers to soften hellfire, in case
I crash from my pedestal, in case
my trashy literature expires
before it sells, telling entire tales
others redact, of how I express
my Self: brash, not in whimpers or wails,
but with passion my initiates
welcome, hailing brooding handsomeness
as a sign of poetry’s final
coming, my version of happy less
unfounded once pursued, views perfect
to spill in verse which encourages
the literate of the herd to test
boundaries, to push in truth until
it hurts, breeding deep what seed youth spit,
so I throw it up over their heads
and through condominium windows,
down into closed sets dressed as living
rooms, opening a corpse, a concept
often eluding them, so I go
so far, and far too low, as to ask
my bad-ass readers to tear out this
poem, or print it, if downloaded
or pirated, and I ask that you
wrap a brick in it, of clay or shit,
it does not matter, and I demand,
everything-but-gentle readers,
that your fists lift that brick with this text
shrouding its shrapnel, and you throw it
through the window of any person,
any government, whose blindness has
left them unacquainted with freedom,
throw this discus into the thickest
skulls of those whose counterfeit riches
inhibit them from winning from us
what truly privileges swollen heads:
initiation into secrets
plain sight hides inside people who let
outsiders in, blurring margins set
up by watchmen terrified the fire
they silenced might rise again, that love
of oneself might erase that fear, stress,
storm, and panic cured by their products,
buy prophets and you will all find what
is packaged as free thought is worthless,
that freedom is not something purchased,
a cracked head from which a heart’s fizzling
passion can be liberated, yet
to ignite with utmost guerrilla
relentlessness the empty chamber
of expression’s incendiary
canon, to fight with fire the demon
child of ignorance and rhetoric
colonizing our wild republic
of letters, go throw into chaos
this discus, and let ev’ry one of
those injustices of your idols
and overlords know: no, this will not
blow over, art is surviving, an
island without god or guardian.
ii. Nadir
Good poems are party-sized mirrors,
reflecting both author and reader,
their meters blown like those good nights out,
measured in lines their dealers cut close,
before you cut me out, think of those
who have no voice or choice, whose lives have
only lows and no highs, who survive
on hope we write on our arms, read like
gospel lies, but true, what we do is
medicinal, their soul’s cure-all, so
when I throw out this paper, dismiss
its words not as whispers, but wet lips
wrapped around your members, delegates
of the unconventional, pages
uncircumcised, uncensored, sent up
like executive winds to blow in
lives like tempests, flying over them
to admire our damage, leaking paths
of satisfaction staining masses
with so much conviction it washes
off their indecision, leaving as
a breath once my exterminating
angels have completed their mission,
and pain reveals our task a success,
only then can I rest, since this is
a game I am winning, played on an
island without god or guardian.